The Classic Villa has five stars, is eco-friendly and this historic, beautiful, bright pink villa has lived many lives!
Starting in 1897 – just 4 years after all New Zealand women won the right to vote – it was first owned by Christchurch boys high school as the chaplain’s house and, after many incarnations, including an old-folks home (that I always saw myself as being eventually spending my final years in) through to its current reincarnation as a superb Italian style luxury B&B boutique accommodation – where I do stay! Erected on land during Christchurch’s early European settlement days and known as Ravens Paddock, it’s opposite the old Christchurch Boys High School and Canterbury College where Lord Rutherford studied.
With 5 Stars, it’s friendly, laid-back, efficient, and comfortable with the hosts serving sumptuous Mediterranean, /continental or traditional breakfasts. The kitchen island is almost overloaded with cold meats, avocado, tomato, cheeses fruits, cereals, and juices, it’s a magnificent spread, all enjoyed a communal table with Peter, the consummate host, making sure teas and coffees flow -and of course, answering questions about where to go and what to do.
Step outside 17 Worcester Boulevard – a quiet one way pedestrian boulevard – and tram – and you’re in the centre of Christchurch’s cultural precinct including the Art Centre, Christchurch Art Gallery Te Puna o Waiwhetu Museum, Botanic Gardens, Cathedral Square, historic tram, punting on the Avon River, Hagley Golf Course, and of course, excellent restaurants, cafes & inner-city shopping: see more on their website The Classic Villa
I’ve always stayed in the ground floor rooms which have traditionally polished timber floors, kauri doors, ornate plaster ceiling roses, wood fire effect heater, luxury bedding, and mirrored wardrobes. The walls have art by Rhonda Campbell – which former President Bill Clinton took a fancy too. Good taste!
Evenings are great with a complimentary glass of something and nibbles in the lounge or garden and barbecue area.
Christchurch is the South Island’s largest city. It’s a vibrant, cosmopolitan place with exciting festivals, theatre, modern art galleries, great shopping and award-winning attractions.
Known internationally for award-winning gardens, Christchurch is also a great place for events, festivals and its street art.
The Duishan Art District, near Jemei University in Xiamen, China has a gallery to display contemporary work by regional, and prominent, artists. Like the art I saw at the University was thought provoking and different to our (my) expectations.
Our group, all coffee aficionados, were also happy to drink the excellent coffee served at the café.
Despite the coffee, tea plays an important part in the artists lives – each had a tea ceremony area in their studio.
An artists tea area at Duishan Art District
Janet values the art work shes seeing
this was a challenging and thoughtful piece
A Japanese ‘Marilyn’
Qi Yu 1969 – present. HoD dept. visual communication design
On my recent trip to Xiamen, China I was interested to see local art and, as our Kiwi tour leader, Janet Andrews, had attended the Arts Academy at Jimei University as an exchange student just a few years ago we were lucky enough to visit the Fine Art College there.
She was treated like a visiting rock star and we rode on those coat-tails. An exhibition of the students end of the semester work was very different to our preconceived ideas about Chinese art.
Here are some of their work and the fantastic artwork around the University grounds.
If you have the chance to visit this Uni, grab it!
My next post will be about the Duishan Art District and some of the artists, who graduated from Jemei Uni, and have studios there.
NOTE: thanks for the assitance to travel in this region as part of the cultural delegation from Xiamen’s sister city Wellington, New Zealand.
I was told, in Thailand, that Buddha spent seven days following his enlightenment thinking about the suffering of all living creatures, and Thai people now believe that their day of birth reflects their life.
Seven Buddha images show each day of those days, except Wednesday which has two, morning and afternoon-evening.
So, one year, while in Thailand, I bought Buddha’s that matched that day for each of my immediate family as their Christmas gifts. You may like to check your day of birth and which Buddha is associated with you.
Here are photos that show the various postures for that days – I need to point out that some temples had different poses for some days!
These photos are not good as were taken through scratched glass but stay as my reference for the various poses and days as that was when I first heard about them – during a bike ride out from Bangkok.
Thailand also has lucky and unlucky colours for days of the week; the lucky ones are:
Wednesday: day Green / night grey
Friday: light blue
Saturday: purple sleep
I hope you are happy with your colour and Buddha stance!
Fancy some good artwork on your walls? Van Gogh perhaps, or a Rembrandt? Can’t afford it? Oh yes, you can buy artwork in Xiamen!
It seems many people can buy, not the originals, but copies made by talented artists and which are sold around the world. They hang in private homes, hotels, motels and conference centres and it seems most are painted and sold in Xiamen, Fujian province, China.
I visit the Xiamen oil painting ‘village’ (within the city) which has evidently been named one of, if not the top, centres of the world’s oil painting areas: most of these paintings are exported to America and Europe.
Some 5000 artists (mostly graduates from Art Schools) produce the paintings and it appeared that each had their own specialities. Many will paint your family or home from a photograph to your specification or styles.
After sheltering from a monsoon type downpour I later wandered around the streets full of little shops selling completed canvases, paint brushes, frames, and other art paraphernalia.
Needless to say I too bought an “original” artwork – not Mona Lisa or Chairman Mao, but a bright green frog with four shopping bags. I asked the artist where he got the idea from. He responded “Look up Google”.
I have done as he suggested and the closest I can find were on UK, reusable shopping bags: my frog is a boy, the bags were of naked frogs or frogs in dresses. Perhaps this is how they get around the original artist’s copyright, by making small changes.
My quirky green frog takes pride of place on my wall and he always gets favourable comments about his cuteness – not what people expect to see as a souvenir from China. (of course I have other more Asia-obvious things too)
My next blog (s) will be about the Jimei university’s JMU Fine Art College and the artist in the Duishan Art District. Now take a walk with me through the village … all these photos were taken on my phone.
As part of my upcoming series of blogs about Christchurch let’s first talk about the elephant in the room. In other words, the earthquakes that shook my city in 2010 – 2011.
I left Christchurch some eight weeks after the September 2010 quake, not because of the 7.3 quake or its many aftershocks, but a decision that had been made in May that year. Since then, I have returned to Christchurch on dozens of occasions so, although I have not lived through the many but normal aftershocks, I have closely seen the devastation wrought on my city.
My roots are deep in this wonderful city: my Cornish maternal roots arrived here in 1862, while my Scottish paternal roots arrived in 1873 – and there they remained, planted and flourishing on the stony plains and peninsula ever since. During this series of blogs, I will be talking about Christchurch as it is post-quake, as well as linking it to my past.
My frequent trips down from Wellington, and usually staying in the city centre, means I’ve watched the continuing journey as a new city emerges. Let’s not pull any punches, Christchurch will never be the old Christchurch again. While I mourn this loss I also celebrate the new – as it is emerging. Those seismic shocks have and are certainly changing the face of the city.
An air of creativity and innovation flows through the city but unfortunately it seems many locals are not aware of this, and say they don’t come into the city as there is nothing to do. Wrong, wrong, wrong.
Tourists, and those working in the city centre, are well aware of many things to do. Some of it involves quake tourism of course, for others it’s checking out the huge artworks around the CBD, taking their kids to the magnificent Margaret Mahy playground, promenading, dining and shopping along New Regent Street, which I believe, is now Christchurch’s oldest retail area.
One thing I became very aware of during my last visit (February 2016) is how many tourists still find the devastation hard to handle and often only stay a night or two. One of the difficulties for them seems to be they are unsure what is actual ‘quake damage’ and what has been demolished ‘because of’ the quake. (NOTE: I again suggest the council or some other such body create a historic plaque to state “This building is a quake survivor’ for building owners to use).
It also seems that many find the city-wide building sites noisy and annoying, whereas I see them as a sign of vitality of the city and positive growth. Unfortunately, it seems travellers many arrive at the airport grab their campervan or rental car and take off, heading south or west. Many I spoke to said they’d been told by people in other parts of New Zealand ‘there is nothing to see down there.’ Most said they were thrilled they had ignored the ill informed advice.
To learn about the quake, I can absolutely recommend Quake City, a Canterbury Museum project, on Cashel Mall. Our city centre lost 80% of its buildings, not because they fell down, but because they had to be demolished as being unsafe, this means Christchurch has had much of its history erased.
The sad deaths, from the February 2011 6.3 quake, occurred mostly in two relatively modern buildings which did collapse. The artwork of white chairs as a memorial to them is on the site of my old church: St Paul’s Trinity Pacific, which growing up as a city kid, was the church I attended, and married in, and in those days was just called St Paul’s: it too was a quake casualty.
So, whether you live in Christchurch, or are visiting for a few days, make sure you see the real city centre and learn our history, not just the oft-repeated, lazy writing about Christchurch, as being conservative, just like England, or other such nonsense, this is a new city, developing new roots, and growing on top of our old foundations.
As well is reading some of the many books, stories, and poems that have sprung up post-quake you can also follow my blogs about Christchurch, so I can introduce you to the new as well is the old. Don’t forget many of our buildings (20% remember) survived, albeit most needing repairs, some major, some minor, but we still have many of our wonderful Gothic buildings in use.
So yes the ‘elephant in the room’, our seismic shakes, have jolted us, have left many traumatised, homes and businesses are gone, but a new, hopefully greener, city is emerging, and despite, or because of, my deep roots in Christchurch I celebrate that new city and feel excited every time something old reopens, or something new opens. Of course I am sad that much of my personal history is gone, however, looking over my shoulder at something no longer there is wasting time and energy that I prefer to use positively.
Despite now living in Wellington, I’m a Cantabrian through and through, one-eyed, wearing red and black, and cheering on our sports teams, and the rebuild! However, this does not mean I wear pink coloured glasses when writing about the city. At times I have been and will be critical, especially at locals who voice many opinions about the inner city, despite not having visited the CBD for months, or even years; a heavy-handed government making decisions they have no right to make, or delay; and the Anglican church for the damage their wrecking ball inflicted on the cathedral, and the continuing damage they are allowing by not closing the building to the elements. I believe they caused more damage than the quakes did.
Ash Keating, the Melbourne (Australia) artist was commissioned (by Gap Filler and the Christchurch Art Gallery) to create a large art work in Christchurch in 2012. He was in the city at the time of the February 2011 quake and I loved his great rusty orange work on Manchester Street.
In January 2016 it was tagged and he has just returned to repaint it … I had seen the tag and then a few days later walked past as he was repainting it. (NOTE: If you are looking for it, it’s just around corner from New Regent Street, and a couple of blocks south of the magical Margaret Mahy playground)
Christchurch has a long history of great art and artists, and since the seismic shaking over 5 years ago it has again embraced art and I will later blog some of the art around the city.
For more information on the artist see his Facebook page here
It seems the tagger has been identified – he was bragging about it on Facebook. Duh!
This is one of a series of blogs I’m writing on Christchurch and how its emerging five years on from the 2010/11 quakes when it lost some 80%, yes eighty percent, of its inner city buildings- not because they fell down, but had to be demolished because of the damage – I will be writing about what it is now, not what was lost.