Do you travel with others or alone? What are the pros and cons? And once this virus is under ‘control’ how will you travel? Alone or with others?
Which do you prefer – on a bus with strangers; with a friend; with your partner, or independently?
Whichever you choose, your travel journey becomes different because of that choice! I mostly prefer solo, independent travel – however, I have friends who think there could be nothing worse! I once travelled in parts of Europe on a bus with strangers – at every stop, we were always waiting for someone and that drove me nuts.
When travelling with a friend, we have to be very specific about what is, and isn’t, acceptable -especially if you’re sharing a room. Of course, it’s very easy to say, but sometimes it’s hard to do -leaving one of you, sometimes constantly, inwardly fuming. It’s very easy for one of you to minimise your requests, wants, or needs.
Over the years, during times of travelling with another person, these have been the issues of being confronted with. Not always easy to solve – although if you both can compromise 50% of the time things work out.
Someone with a well-developed fear of germs and food that’s ‘different’
Night owls who want to talk – I’m an early bird
Coughing, but not taking, or refusing to buy, medication
Proposing things to do, we agree, then changing their mind – resulting in more convoluted conversations about option A B or C
Struggling while carrying many bags instead of one or 2
Train travel only because ‘a friend said the buses were dangerous’
What has been your experiences of travelling alone, or with others? What problems have you encountered, and what advice would you give to someone who was planning travel?
Despite coronavirus in cities and countries being locked down, I refuse to be locked in – just as all my ancestors did in the mid-1800s – fleeing Scottish clearances, Cornish tin mine closures and the Irish potato famine.
And despite my trip to China – a river cruise on the Yangtze River -being cancelled, and the fabulous Rainforest World Music Festival -in Kuching, Sarawak, Malaysian Borneo, being postponed until further notice, I refuse to be locked in despite the virus and, despite being compromised by age, nothing will stop me, travelling. I remember a song from my parent’s era “don’t fence me in.”
Travel writers have an affliction which, means they, I, we, are doomed to travel and as I said despite COVID-19 and the lockdowns all around the world I am going to keep on travelling.
Yesterday I was in Oman, today I’m in Dubai with my parasol and a few days ago I was back in my home city Christchurch,
I’ve also been down on the Wellington waterfront I’ve seen some birds that I saw in India yet again and I’ve even been upright on a paddleboard in Fiji.
Navratri festival .. longest dance festival in the world
Ernakulm, Kerala, India
Drummer boy, Ernakulam, Kerala
Florida well caught
So, take that coronavirus you’re not going to stop me – my memories are too well embedded for me to be isolated in my lockdown bubble, I can, and will travel the world with my wonderful memories.
What a privilege, it’s been to have travelled so extensively and I’m grateful for the example my parents set of not wasting money, saving, and living frugally as required. they also left me a small inheritance which, after a lot of earlier travel, enabled me to do even more.
I recall being on a plane -in 1995 – petrified that at age 50 I still wasn’t old enough to travel the world by myself (with no bookings).
If I run out of memories, I could be jogged by just some of my clippings or books.
a few of my clippings
and just a few more!
So where are you travelling to while in lockdown? I’ve been to Alaska in bwZimbabwe I’ve been to London, Wales, and Borneo. I’ve been to the USA, Mongolia, Zimbabwe and had a river cruise in Europe – to name but a few.
Even I thought it seemed a little silly, when I replied ,’Because I like the name.’ Zimbabwe sounded exotic and I just wanted to go.
Now I’ve arrived in Africa and I’m ready for my big adventure: a canoe safari down the Zambesi River.
Standing on the banks of the calm looking river, I am beginning to get scared. Watching us is the biggest, meanest looking crocodile I have ever seen. Lying in the sun, he seems to be inspecting us. I watch him and he watches me as I listen to our guide’s safety instructions.
“Keep looking for hippos, usually you will just see their little ears sticking out of the water, and every few minutes I want to you give a little knock on the canoe so they can hear us coming. If…
I’m passing thru Whanganui in a couple of days – heading further north – and we will stop to stretch our legs and have lunch. Here are some notes about the lovely little city.
When planning a road trip to Whanganui www.wanganui.com you soon realise the Bridge to Nowhere seems to have no road either. To see it requires a long hike or a jet boat trip up the Whanganui River.
However, there are many ways to drive to this river city. So, if you’ve been skiing or hiking near Ohakune, I recommend you use the historic and popular, ‘Rural Mail Coach’ route. This scenic route, narrow, windy and beautiful, takes longer than the 106-kilometres suggests. Allow 4 hours or longer if you plan to hike or take photographs on your journey.
Leave State Highway 4 at Raetahi, heading for Pipiriki (27ks) where you will join the 1935-built Whanganui River Road. Pipiriki is the first of many historically significant settlements along the way, each o which have good reasons for you to stop. A little further on is the Omorehu waterfall lookout and the picturesque Hiruharama (Jerusalem). This was home to both James K Baxter and Sister Mary Aubert whose catholic mission and the church is still there.
A few more kilometres on is the restored, two-storied, 1854, Kawana Flour Mill, only a 100-metre walk off the road. Back on the road, just before Koriniti, is the Otukopiri Marae and in 1840, site of the region first Anglican Church.
If you want to stretch your legs, the Atene Skyline Track has a 1½ hour track that takes you across farmland and up to fabulous views of the region. Returning to your car, you will soon be driving through an old seabed, the Oyster Shell Bluffs, before moving onto Parakino and your destination, Whanganui city.
The architecture here is varied. Some of the oldest buildings are the 1853 Tylee Cottage (Cnr Bell and Cameron St), the old St Johns post office (Upper Victoria Ave) and the 3-storied Tudor style Braeburn Flat. It’s also worth visiting St Peters Church (Koromiko Rd), the 100-year old opera house and the award-winning Sarjeant Art Gallery (Institute of Architects Gold medal 1961). This magnificently proportioned building has naturally lit galleries and the steps leading to it are the resting place and memorial to 17 soldiers who were killed in 1865. The buildings in the Queens Park area around the Sarjeant are considered one of the best formal townscapes in New Zealand.
Alongside the river, as well as cafes and the River Boat Centre, is the must-visit Moutoa Gardens, site of an old fishing village and where an 83-day occupation occurred in 1993.
Wanganui is compact and all attractions are within walking distance. The revitalised Victoria Avenue has gaslights, wrought iron garden seats, plane trees and wide paved footpaths. The Thai Villa (http://www.thaivilla.co.nz/ ) is in Victoria Avenue, river end, and this fully licenced and BYO restaurant comes thoroughly recommended. Then, while you are near the river, take a cruise on the restored paddle steamer, Waimarie.
Whanganui has many festivals including a book one early in the year. Another is the Real Whanganui Festival http://www.realwhanganui.co.nz/ that includes the Wanganui Glass Festival which showcases the talent of local artists www.wanganuiglass.com in September 2011
A circus in Siem Reap? Absolutely! And, it’s become one of the city’s biggest attractions – and has a positive social impact.
Siem Reap, Cambodia, of course, has the incredible Angkor Wat temple complex and the awful, infamous Pub Street but it also has many charity and community projects like Phare Circus which aid this still-troubled country. (see also my blog about the HeroRATS) Both initiatives benefiting great causes as do many of the places we visited, ate at or bought from during our week there.
Phare, the Cambodian Circus, is an offshoot project of Phare Ponleu Selpak – a Cambodian non-profit, non-governmental association founded in 1994 by eight young Cambodian ex-refugee artists in the area of Anchanh Village, Ochar Commune, Battambang Province – a few years ago I spent a week in Battambang, (on the other side of Tonle Sap) right opposite the market and loved it.
The Phare Ponleu ‘helps vulnerable children, young adults and their families, build careers of Cambodian Artists, to revive Cambodian art scenes, to make worldwide arts connections with Cambodia and to contribute to the artistic, educational and social programs of PPS Association.’
When I, and a friend, attended the circus, it meant we were doing more than paying to be entertained: our money benefited the growing arts scene in Cambodia, that is, helping talented young people get the opportunity, income, or training access in which to develop, and showcase, their skills.
The Phare Circus is an incredible hour of traditional and modern theatre, music, dance, acrobatics, athleticism, juggling and contortion all beautifully choreographed and performed in stories about Cambodian lives and society. We loved it and talking to the young people after the show reinforced the value of attending.
Shows, each of a different theme or ‘tale ’change about every eight days. It seems tales, and sayings, are a big part of the local culture and the circus is an extension and visual representation of this with the moral of the shows often being about facing your fears in order to overcome them. The performance we saw was about being different, and bullying – combining laughter, happiness, music, and entertainment in a superbly presented show.
I recommend getting advance reservations during high season. (November through April) as performances sell-out most nights during this period.
It’s more than ‘just’ a circus, and the performers use – with energy, emotion, enthusiasm, and talent – theatre, music, dance and modern circus arts to tell uniquely Cambodian stories – historical, folk and modern. What’s even better – no animals!
All the Phare artists are students and graduates from Phare Ponleu Selpak’s – an association which was formed in 1994 by young men coming home from a refugee camp after the Khmer Rouge regime.
“They were greatly helped during that time by an art teacher using drawing classes as therapy and wanted to share this new skill among the poor, socially deprived and troubled youngsters in Battambang. They founded an art school and public school followed to offer free education. A music school and theatre school were next and finally, for the kids who wanted more, the circus school. Today more than 1,200 pupils attend the public school daily and 500 attend the alternative schools. Phare Ponleu Selpak also has extensive outreach programs, trying to help with the problems highlighted in their own tales.”
Phare The Cambodian Circus offers these students and graduates somewhere to hone their skills and a place to earn a decent wage, money that takes them out of poverty and provides self-respect and freedom. Many of the performers have gone on to be employed by the likes of Cirque du Soleil and Phare Circus also travels the world so you may see them in your backyard!
Phare, The Cambodian Circus is one of Cambodia’s most innovative social enterprise models. Profits generated through ticket, refreshment, merchandise and private performance sales support the free education, professional arts training and social support programs of Phare Ponleu Selpak in Battambang. It is one of the business units of Phare Performing Social Enterprise, along with Phare Creative Studio. Other business units will come soon. The circus survives through sales of tickets, merchandise, refreshments and private events. Ideally, the business will do better than just pay bills, but also make a profit from these activities. The majority shareholder is Phare Ponleu Selpak NGO School. Therefore, the majority of the profits go to support the school’s free education and social support programs to 1200 students daily.
Circus Phare The Cambodian Circus a responsible, social business in many other ways too. While always keeping an eye on making a profit to send to the school, other efforts are made to benefit society when possible. We both bought some items in the Phare Boutique shop as it supports local artisans and craftspeople. (higher quality souvenirs or gifts than you will find in the big markets – where many items are imported ☹) Royalties for each show performed -that was created at the school – are paid to the school before profit is calculated. The business invests a great deal in the personal and professional development and the welfare of the artists and staff and participates in many community activities, sharing art with Cambodian people who otherwise might not be able to experience it.
The school survives mainly on donations and earns some revenue through sales of show tickets, merchandise and refreshments, but it depends mainly on donations. Maybe you can help – each little bit helps – and, if I get back to Cambodia, I plan on visiting the school.
Been searching – on some old CDs – of old pics taken and these took my fancy for no particular reason – except for the Peackok Fountain photo which I think is my best one of it! Next time I’m in Christchurch I will try for a better one with no buildings to be seen! 🙂
Food is an important element to travel – it’s heaven for some – hell for others.
I love the new, the different, the local delicacies, while others want to mostly, or even only, eat at multinational outlets. what do you prefer?
This phenomenon is not confined to only westerners but also many others. I’ve known, Italians, and Asians who only want to eat their usual food while travelling … I know in New Zealand many Chinese tours always insist on meals at Chinese establishments.
Here are just some photos of a tiny amount of meals and food I’ve eaten all over the world.
Fiji Our food is exposed
Start with rice – on a banana leaf
Seafood risotto at Hotel Bruny
I love raw oysters – the food of love ‘they’ say
Food glorious food!
Food at Jo’s cooking school
Kota Bharu, I’m looking forward to more Malaysian food
Pad Thai: Indigo Pearl Resort, Phuket, Thailand
‘Banana leaf’ curry
I have breakfast at Gujaret Chief Minister’s home / Narendra Modi
durian .. most Westeners dont even try this king of fruit!
No matter where you are, always try local food … fresh lotus seed heads
Asam Pedas for breakfast: Parit Jawa, Malaysia
only 12% of westerners like durian – I am one of them
PHOTO attribution: CathedralSquare 2402 By Gabriel Flickr Cathedral Square
It’s some eight or nine years ago that Fodor commissioned me to write about my city – back then we locals were using terms such as ‘the city that shakes’ or ‘shaken not stirred’ and ‘Christchurch rocks’. Christchurch still rocks but in a very different way – it’s great.
In August, this year, one travel writer likened a tram ride in Christchurch to an amusement ride through a disaster zone – I totally disagree as do many others: it is the only New Zealand entry in ‘The 50 Friendliest Cities In The World’ (7th) and it’s also the only New Zealand destination to make it into Fodor’s list of the top 52 places to visit in 2020. I suggest you put it on your bucket list.
Christchurch’s inclusion on Fodor’s Go List 2020 ‘seems to stem in large part from its response to the tragedies that have happened there over the past decade’ said one writer.
“South Island’s largest city is back – and better than ever,” the guide declares, adding that it has “wasted no time getting back on its feet after” after the 2010 and 2011 earthquakes and 2019 terror attack.
“Not only is Christchurch considered the ‘friendliest city in New Zealand’, according to a 2019 poll, but the evolving metropolis rewards visitors with colonial-era British architecture, enormous parks, panoramic gondola rides, relaxing boat tours down the Avon River, and an exploding public art scene that emerged after the earthquakes.” (Stuff)
However, for many, there is still some confusion as to why many buildings have not yet been replaced, and in particular, the Christchurch Cathedral still sits in ruins.
pigeons continue to damage the interior
photo taken at the Quake City Museum
Every local has an opinion about the cathedral – from knock it down to, restore it totally, keep some old parts and build something new attached to it, get rid of any cathedral in the square, and many variations on those themes.
Pre quake photos:
Being Christchurch born, and having lived through hundreds of quakes I too have an opinion – I believed the cathedral should be reinstated – using their insurance money – it, plus the ‘Square’ itself, had played an important role over the previous 100 years. Because of irreparable damage to many of our Gothic buildings, I believed it was important to maintain as much heritage as we could.
The February 2011 earthquake destroyed the Cathedral‘s spire, part of the tower, and the structure of the remaining building. On the day of the quake, much more of the tower was deliberately demolished as it was thought that people were trapped inside – luckily this wasn’t so, and the rest of the tower was demolished in March 2012. When the church started using a wrecking ball on the cathedral, a court injunction was taken out to stop that work – many people believed it should be demolished, piece by piece, numbering the stones so it could be rebuilt.
Later in 2011, after-shocks meant a steel structure – intended to stabilise the rose window – actually destroyed it and the Anglican Church decided to demolish the building and replace it with a new structure. The church did not consult with locals despite years and years of no, or little city rates – a subsidy paid for by locals, who also helped pay for repairs and a new roof. This made many people angry, resulting in court cases and fundraising to help save the cathedral.
Christchurch Diocesan Synod announced that Christ Church Cathedral would be reinstated after promises of extra grants and loans from local and central government.
The church also says the start of restoration will begin in 2020 and “For most people, the reinstated Cathedral will appear unchanged with its important heritage features retained. It will be safer, more functional, more flexible and more comfortable. It will be better equipped for future worship and civic events.”
And, as for the other gaps in the city-scape, many owners of those buildings have chosen not to build for many reasons. Some will be land-banking them, others will be waiting for the convention centre to be finished (late 2020), while others may be waiting to see what’s missing in the city, what’s needed, and then build that. Many people have said, this wouldn’t happen in Hong Kong, or Singapore – true, but New Zealand has a democracy, and surprisingly, everyone who owns those pieces of land, often converted to car parks right now, actually can make up their own mind as to what, and when, to redevelop.
I can tell you that one building site, on Armagh Street (beside New Regent Street) will not be started for a few months. A large flock of our endangered black-billed gulls is nesting among the concrete and reinforcing wire – as they are protected, nothing will happen to this site until they’ve finished nesting, and if they come back in spring next year, the site will remain undeveloped. An eyesore for many, but possibly a lifesaver for these gulls!
I nested at The Classic Villa, which some years ago was transformed from an Italian style historic home to a 5-star boutique hotel in the cultural precinct of our city centre.
It’s not often I get to bird watch in the centre of the city – of course, Christchurch has the Avon River which attracts native and introduced ducks and other birds, but these little darlings are different.
About 300 critically endangered black-billed gulls (the most endangered gull in the world) have come to the city for summer. Normally nesting on the braided river beds and Canterbury they have set up camp and their nests in inner-city Christchurch, choosing a high-rent area, but pay no rent.
Their preferred, inner-city apartments, are on the site of a partly demolished commercial building one of the many (80%) quake-damaged inner-city buildings. Here, surrounded by islands of concrete and reinforcing steel, no predators are able to steal the eggs or chicks.
Some chicks, unable to fly, and used to nests on the shingle of the Canterbury Plains this high-living has caused problems. When they fall out of their nest they land in the water below, and unable to fly would drown. However, locals who are keeping an eye on them, let the Department of Conservation know and see here, life rafts have been created for them
An unexpected road trip, with 2 local Taiwanese women, ended at a lantern village that, surprisingly, had rail tracks running through the middle of the settlement.
Here, daily, and at night time, people write wishes on paper lanterns, before releasing them into the sky in the hopes ancestors will answer their prayers.
It seems this ritual started during the Three Kingdoms period and were first to send military signals and, lighting these lanterns grew widespread during the mid-19th century when bandits often attacked these towns. So now, although once used as signals for villagers to let their families know they were safe, they now carry people’s wishes, dreams and hopes, skyward.
An annual lantern festival also takes place on the last day of the Lunar New Year but you can set off the lanterns any time of year.
There are many lantern colours and it seems the different hues have different meanings -from hoping for greater wealth and fame and fortune through to marital happiness and everything in between. Although I didn’t see them, there are also animal-shaped lanterns such as cats, monkeys and pandas.
“You can’t just let the lantern go, there’s a ritual to it and a meaning” I’m told. It seems you can even buy digital, electronic, lanterns for virtual prayers! (an environmentally-friendly version :))
For safety reasons, a shop worker lights the lanterns and controls the release – another safety measure is they now use soybean oil instead of kerosene.
To prevent the mountainside from being littered with lanterns, they have a recycling programme and residents can exchange used lanterns at shops for items like toilet paper or detergent.
and whoops again
On rainy days, visitors can write their prayer on a piece of bamboo, which is hung along a fence in the village.
This was my first visit to Taiwan was fantastic and more stories will be written about it soon!