Heather Hapeta lives in Aotearoa-New Zealand: real travel, real adventures, real stories, real photos. Recent destinations Vietnam, Cambodia, Taiwan and Hong Kong – now NZ destinations due to COVID travel restrictions
Today I had a date with myself, a day off as the sun was shining and the waterfront magic. I also visited Te Papa Tongarewa, NZ’s national museum and a must see for all visitors to Wellington, NZ.
One of the exhibitions I saw was Micheal Parekowhai’s “On First Looking into Chapman’s Homer” which was first shown at the 2011 Venice Biennale. As I have said in an earlier blog ,it is different in this setting to the one I saw in Christchurch (NZ) one because its inside, and the other is it’s the first time they have been shown together in one space – I believe he wanted the pieces even closer together but this was not possible because of the weight of the bronze! Note; this is only on show until 23rd September 2012
Travelling from the 2011 Venice Biennale, on to Paris, then Christchurch and now, Wellington, New Zealand is Michael Parekowhai ‘s installation On First Looking into Chapman’s Homer .
The centrepiece of the installation is the bright red, carved, grand piano and I look forward to seeing it again in its new space at Te Papa – NZ’s national museum. ( Te Papa has bought this part of the installation)
I saw the installation in Christchurch in June 2012 but will be sure to see it indoors here in my new city: I’m sure its surroundings make a difference. When I saw it the bronze pianos and bulls were outside – in a patch of cleared rubble – there after buildings had been demolished following the city-destroying quake in February 2011. I loved the setting. In Venice it was in a 15th century, Gothic palace.
Interestingly, or rather ironically, in Christchurch the piano, titled He Koreoro Purakau mo te Awanui o te Motu: story of a New Zealand river, was inside a Christchurch Art Gallery “Outer Spaces” space in the NG building on Madras St.
This historic building, the old Bains warehouse, is one of very few left in the city after the quake and resulting demolitions in the inner city. This repaired, safe building is scheduled to be demolished for a sports stadium: appalling cultural vandalism.